Messages, Misogyny and Nigerian Entertainment: Part 1

 Chimamanda Adichie once said that feminism is not a cloak that she puts on and takes off as the circumstances suit. I’m afraid that when it comes to enjoying Nigerian entertainment, whether its comedy, films, music, or blogs, I often have to take that cloak right off, put it aside and cover it with another cloak, for good measure.One thing I hear a lot, in response to Nigerian feminism, is why do they have to be so angry, rude, unpleasant? My question is this: Is it possible to be a Nigerian feminist and NOT be angry.  So much of Nigerian entertainment (and virtually everything else) has a gloss of the most blatant sexism that, let me tell you, unless I take off that cloak, I’m foaming at the mouth half the time.
Just for the heck of it, I’ll take a deep breath and try to narrow down the things that make my blood boil into a tidy list.
1. The gold-digging narrative. Comedy and comedic music are especially guilty of this. Apparently, a woman will be the most appalling bitch until you ‘show her the money’ at which point she will turn into the sweetest thing who will forgive you and give you anything. When I say woman, I don’t mean ‘good woman’, of course. A good woman, upon setting eyes on you, will apparently sell her siblings to put you through school so you can reward her by marrying her and keeping her in the background for the rest of her life, but that’s another topic.My thoughts on this? If there is a high incident of gold-digging among Nigerian women (and I’d like to see the statistics please), it’s for 2 reasons – the Nigerian economy has been messed up for a long time and pussy is easy to sell. You better believe that if dick was as easy to sell in Nigeria, these men would be balancing it on their heads like Olajumoke the bread seller.What makes me so bitter is not that very few people acknowledge the role men play in these transactions. It’s the fact that if a young woman decides to work hard at university and her job to make her money, there’s a high chance that she will be subjected to so much sexual harassment (what’s the penalty for that, in Nigeria, I wonder) from her lecturers, employers and company clients that she might be left wondering whether it wasn’t just easier to sleep with that rich married man in the first place.

2. The use of hoe/slut/pom/karashika/Jezebel (the born-again version) and other variations. Those words have become meaningless nouns to describe a range of women from a paid sex worker to a woman who annoyed you at the bus stop to a woman who has exactly the same morals as the man calling her a hoe. It’s an age-old tactic to demonise women, justify bad treatment of women, keep the ‘Madonnas’ separate from the ‘whores’ and to get other women to buy into the division, as long as they get to be the Madonnas . It started with witches in the Middle Ages and got down to bitches. It doesn’t actually mean anything. Eldee, in a recent twitter rant, called Amber Rose and Kim Kardiashian hoes (actually he said ‘hoe ambassador’ which I thought was rather clever) but in reality they are just women that seem to have normal sex/relationship lives but like to, for some reason, put their naked bodies on blast. Lesson: It doesn’t mean anything, those words are just used to scare women into ‘behaving’.

3. Don’t get it twisted. Some women will act the damn fool for no apparent reason. In Nigeria,  when a woman acts  crazy, not only is she labelled for life, society immediately identifies an imaginary pack of women, who all apparently behave the same way, and labels them accordingly. The woman isn’t just a bitch – she’s one of them ‘bitches’. When a man behaves terribly, he’s a ‘work in progress’ and ‘God is still working on him’ because you know ‘anything is possible with Jesus’.

4. Male celebrities who loudly and repeatedly insist they want a hard working woman, how they can’t stand “laziness in a woman” and how she should bring something (usually money) to the table. For a while, I couldn’t really figure out what irritated me so much about these statements. I don’t actually buy into the whole idea that the man is the main ‘provider’ in a marriage or relationship.Apart from the implication that women are naturally lazy gold-diggers (see above), what bugs me about this statement? Reading an interview with a popular Kenyan actor who has made similar statements, the light bulb suddenly flicked on. He was asked if he could cook and he said no. No. Without apology or explanation. So what does he expect to be doing so while his wife is out there hustling for her half of the moolah and she calls him. “Honey, I have a late meeting, could you give the kids their tea and put them in bed” – “Ah, but you know, I can’t cut onion without you…..”There are 2 things going on here. Firstly domestic work, usually the domain of women in Nigeria and the rest of the world, is being devalued. It doesn’t matter how well she keeps your home and your children and how much that enables you to be the successful person you are, if she isn’t earning, she’s a leech. Secondly, you want her to continue her traditional female role (I mean you may help out but the home is her ‘responsibility’), and then somehow go out and have the same earning power as you have. Bonus point: You want her to be financially independent while you remain domestically dependent.Some (must always remember to say ‘some’) of the guys have a really good gig here. They get to shame women for being poor or gold diggers while ignoring the factors that keep women from making money – less job opportunities, getting paid less for the same job, sexual harassment or coercion at work, hours spent on doing all the domestic work. And also! They’ve decided that domestic work isn’t worth anything while carefully avoiding it themselves! Hurrah!

To be continued…

 

Tracy Ofarn

 

the dangers of prescriptive feminism – Ayodele Olofintuade 

One of the things I’ve stopped doing, especially since after reading Ms Yemisi Aribisala’s piece, Sister Outsider, is discuss the pros and cons of feminism on social media.

Aside from being condescending the article is full of generalizations and you come away with the impression that the ‘new wave Nigerian feminists’ go around with a loaded gun forcing people to ‘convert’ to feminism.

That’s aside from their desperation to appear on the world stage by latching on to Beyonce and MS Adichie… But that’s a story for another day.

Of course in the middle of this long rant against feminism, MS Aribisala managed to name her favorite feminists, I guess so as to make a distinction between ‘good and bad’ feminists.

As an activist of gender equality and campaigner against DV,  rape,  homophobia and other phobias that have kept women oppressed for years, I was deeply offended by the article and rather disappointed in a woman I admired for so many years.

But…

I discovered that her opinions are no different from that of women and men worldwide who sneer at feminists.

They are obtuse, deliberately so. And in such cases there’s really no point arguing, they are best ignored.

However, I decided to break that silence today because of an article written by Ms Adichie where she made a distinction between her brand of feminism and that of Beyonce’s.  Something along the lines of my milkshake is better than yours.

Ms Adichie didn’t exactly say that Beyonce is not a feminist, she just tried to explain how their feminism differ.

These two articles have one thing in common. They are prescriptive. They are telling you the brand of feminism you should buy into especially if you’re looking to gain their approval.

While Ms Aribisala who is a self proclaimed non-feminist seem to be saying ‘if you must be feminist, follow ye the people mentioned herewith’, Ms Adichie seem to be saying ‘mine is different from hers!’

What these women forget is that feminism is about self actualization, it’s a movement that seeks to ensure that all peoples are provided a level playing field irrespective of gender, race, class,  sexual identity or orientation.

It stands to reason that people should be encouraged to dig deeper into this ideology, but more importantly stay true to themselves.

The danger of prescriptive feminism is that a lot of people will be left behind, the voices we are seeking to amplify silenced because they are not ‘our kind’ of feminist, dangerously mimicking the society we are trying to change.

Feminism is not young in Nigeria and there is no such thing as new feminists, we are just building upon the platforms of our ancestors. We are not neophytes, we are standing on the back of giants Flora Nwapa, Funmilayo Ransome Kuti, Queen Amina of Zauzau, we are furthering the activism of the Aba women who protested against taxes under colonial rule.
We are queer, straight, Christian, atheist, Muslims, we are home makers, stay-at-home moms, bankers, artists, musicians, writers, doctors, engineers, we are anything we say we are…

We are here to stay…

We don’t need your approval!

Kissing up to Kiss Daniel – A review of Mama

The adulation and objectification of Women (aka Shorty, Ukwu, Waist, Ada, Mama, Baby, Bebe) in the hip-hop industry, is a daily subject that masculates the musicality of the masculine artists in this genre.

Once a vixen got lectured on the visibility of misogyny in the hip-hop industry and was asked how it feels to be the subject of hyper-sexualisation and objectification. Well, all she wants is her money and this of course, aligns with the feminist theory of Bodily Autonomy, as long as she is of age to decide what she wants to be, video vixen or rocket scientist, all join.

But then this could also bring about the question: How does one differentiate trying to fit into the image of the woman as a sexual objectfrom when a woman is sexually empowered?

Usually, when a woman is not being sexually objectified in the music industry, she is depicted as Miss Needy; the beggar who sticks to a man because of money or Miss Bitchy, the woman who uses her sexual wiles to take everything a hardworking man has spent all his life gathering. This has been delineated in songs like PSquare’s Chop My Money. Atimes the woman is portrayed as this totally innocent person who has absolutely no need for material wealth, but only NEEDS to be loved. This is encapsulated perfectly in Davido’s ‘Aiye’ – she no wan Ferrari, she no wan designer, she say na my love o!

Whether she’s an angel or a bitch, the woman portrayed in almost all the songs, produced in the Nigerian music industry, is almost, always IN NEED of something,

But, this is not about PSquare or Davido or any other artist that may or may not have contributed to the longevity of misogyny in the music industry.  This is about Kiss Daniel and his ‘single hit’ called Mama.

This Mama, who is a reflection of a built beauty; tall and thin, silky and smooth skin, seamless straight hair and hair-extensions, becomes the role model of the African woman. You must take note that she is not only unconventionally perfect, she is also always available to use her perfect body parts to make you feel better about yourself. She is not thinking, well… nobody expects her to think . She is a thin thing begging to be entertained, but then she doesn’t say it, she should be seen and touched, but not heard. So, she uses her sexualized parts to paint an ideal picture, where she fits in perfectly as an object; an object that is desired because of her nudity and the beauty she had to nearly kill herself to attain.

Women’s depiction in musical videos doles out expected behaviour for the woman, just like the stereotype that stands taller than the true story. A good woman is the woman who cooks all, and not the woman who knows all. She should be primed and neat, reserved and hot for her lord only. And for Kiss Daniel to really know if this woman cherishes him or not, all she has to do is wash his plate.

He is the seeker, she is the prize. Although he has seen all the qualities he needs in her (being that marriage is the ultimate reward a man can give a woman), she still needs to wash his plates in order to prove her worth, and also fetch water.

The reason Kiss Daniel emphasizes these two very important domestic activities is because nothing shows love than for a woman to shun all gadgets like dishwashers and pipe borne water in favour of drawing water directly from a well and hand-washing all HIS dishes.

To be Kiss Daniel’s Mama, biko my sister, fetch water for him and wash his plates!

Where Kiss Daniel veers off from the usual narrative that’s the staple of the male dominated Nigerian music industry is that he did not put her in a position of NEED, in this case, Kiss is the supplicant and she the one doling out the cash.

She can afford to buy him an Infinity. She is not a lover in need. She is not Miss Dependant, she is Miss Independent.  .

Adichie avers that masculinity is a hard, small cage, and men are placed in this hard small cage. The truth remains that strength ought not to be measured for any gender, and Kiss Daniel notes that he can be in captivity. This song is noteworthy because it stands out in this one aspect, although it fits in, with every other narrative that seems to oil the wheels of the Nigerian Music Industry.

And with this glowing review, Kiss Daniels might get bolder and admit, one day, that his ‘Mama’ doesn’t necessarily have to handwash his underwear to prove her love to him.

Or P-Square might end up singing –She can chop my money,She no wan chop my money, Cos she got her money

Peace out!

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Ada Chioma Ezeano

17 Nigerian Women Slaying

 

There seems to be this image of a typical Nigerian woman as being a money-grubbing, marriage mad, religious freak. As most stereotypes go… it’s basically untrue, and today we present to you Nigerian Women who are slaying in the Arts, Humanities, Sciences, women who do not fit into that mold of a typical Nigerian woman. We present our WCWs…

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Dr. Bibi Bakare-Yusuf – Publisher/Feminist
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Funmi Iyanda – Activist/On-Air Personality
Nnedi
Nnedi Okorafor – Lecturer/Writer
Unoma
Unoma Azuah – Lecturer/Human Rights Activist/Writer
Susan
Susan Obehioye – Make-up Artist
pamela
Pamela Adie – Human Rights Activist
Nkiru
Nkiru Njoku – Movie Producer/Feminist
weird
Weird MC – Musician
chimamanda
Chimamanda Adichie – Writer/Feminist
Adunni
Abimbola Adelakun – Writer/Journalist/Feminist
Akudo
Akudo Oguaghamba – Human Rights Activist
Asa
Asa – Musician
Chinelo
Chinelo Onwualu – Writer/Feminist
ayo
Ayodele Morocco-Clarke – Lawyer
Bisi Fayemi
Bisi Fayemi – Writer/Feminist
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Lola Shoneyin – Writer/Convener Ake Festival
miss-saharra1
Miss Sahara – First openly transgender Nigerian, Male to Female